direction
In
1990 she forms the Compañía Pata de Ganso to establish a teamwork, with
the objective of creating an experimental and creative space in the fields
of movement and theatre, performing in Argentina and abroad.
She
is a dancer, choreographer, teacher of contemporary dance, and theatre-dance;
also coordinates the theatre-dance area of Ricardo Rojas Cultural Centre
Universidad de Buenos Aires.
She
was formed with recognized classic, contemporary dance and composition
teachers, such as: Alfredo Gurquel, Lía Labarone, Ana Kámien, Juan
Carlos Bellini, Renatte Schottelius, Ana Itelman, Susana
Tambutti, Susanne
Linke (Alemania),
David Zambrano,
Meg Stuart (Bélgica)
Nienke Reehorst (Holanda), Eugenio
Barba (Dinamarca), Guillermo
Heras (España), Trisha Brouman (U.S.A.), Odin
Teatre, de Denmark, el Teatro Tascábile di Bérgamo, de Italia, y con
Daniel Brooks, de Canada, among others.
From
1985 to 1990 she integrate the theatre-dance group of the Universidad de
Buenos Aires, Cultural Center Ricardo Rojas as a teacher and performer,
participating on various plays in Argentina and abroad (Holland,
Poland, Spain and Italy).
It was one of the dance groups dedicated to the experimental and
contemporary dance, unique in its field.
In
1993 she develops the first independent theatre-dance competition for
novel artists and creates a new space for the independent dance.
Also she manage to develop the executive production of multidisciplinary cultural events, that gather different recognized artists. At last but not least, she was the editor of the alternative magazine Pata de Ganso, that was the only written registry of the dance testimonies of the 80´s.
She
was co-founder and vice-president of the COCOA-Datei (Coreógrafos y
Bailarines Contemporáneos Asociados, Danza-Teatro Independiente).
